
A high-powered real estate executive returns home after her dad passes, the only way she’ll inherit his estate is if she finds the only treasure that ever eluded him.

A high-powered real estate executive returns home after her dad passes, the only way she’ll inherit his estate is if she finds the only treasure that ever eluded him.

The intimate and revealing documentary features interviews with Jake’s family, friends, and fellow snowboarders, including action sports icons Shaun White, Kelly Clark and Mark McMorris as well as a wealth of archival material and home movies. DEAR RIDER pays homage to Jake’s beloved and loyal “riders,” the audience he faithfully addressed every year for decades on the first page of his snowboard company’s catalogs. Acclaimed actor Woody Harrelson, a close friend of Jake’s, narrates catalog passages interspersed throughout the film. Inspired by the Snurfer, a surfboard-inspired strip of wood, Jake created his first snowboard in 1977 as an inexpensive alternative to skiing. From there, he developed increasingly versatile boards while encouraging ski resorts, sponsors, and world-class athletes to take up what the media dubbed “the worst new sport.” By the late 1990s, Jake’s vision had catapulted the punk-infused culture of snowboarding into the mainstream and onto the world stage. But as Jake and his eponymous company, Burton, thrived in the new century, the entrepreneur battled two very serious health problems: Miller Fisher Syndrome, a rare nerve disorder, as well as cancer, which ultimately claimed his life in 2019. Today, Jake’s memory lives on throughout the snowboarding community, and his wife Donna Carpenter remains at the helm of the family-owned business.

In 1990s Scotland, a group of Catholic school girls get an opportunity to go into Edinburgh for a choir competition, but they’re more interested in drinking, partying and hooking up than winning the competition.

A Brother and Sister facing troubling times coming up in the hardcore streets of Detroit, MI. When one chooses a life of corruption the other chooses their career, when faced with a difficult decision they both pay the ultimate Price Of Love.

A retired Spetsnaz agent relies on his old skills to save his beloved daughter, who has been kidnapped while working in South Beach.

In 2420, after aliens and powerful space wizards enslaved human villages, a group of rebels organize a counter attack against their alien overlords by piloting fully loaded spaceships.

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer’s stagnant imagination, and much to the perplexed wife’s surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple’s inviolable sanctuary?

Go / Don’t Go is the story of Adam, the lone man living at the end of human existence, the last person alive. His daily routines keep him sane – wake up, brush teeth, forage for supplies, take out the trash, go shopping, check what needs to be checked, cross off what needs to be crossed off – but over the course of a harrowing few days, things begin to unravel for him as he is confronted with an unexpected terrifying possibility. Maybe Adam is descending into madness, or maybe he’s not actually alone… Go / Don’t Go is a post-apocalyptic psychological thriller, oscillating between a forgotten love story and inescapable paranoia.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.

A former MMA fighter and his brothers must rescue their kidnapped family from a dangerous crime syndicate after $50M of illegal diamonds gets stolen.

In their attempt to exonerate an innocent man, a group of social justice warriors raid an abandoned campsite in search of a serial killer. But, one by one, they are eliminated until it’s just one person left against the prolific killer.