A retired priest hunted by his sins is pulled back into darkness when a friend begs him to help his possessed daughter.

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1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Although the siege – one of the worst in history – is finally over, life and death continue their battle in the wreckage that remains. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives amongst the ruins. 26-year-old Kantemir Balagov follows TESNOTA, winner of the FIPRESCI Prize at the 2017 Cannes Film Festival, with a powerful period drama.

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Three best friends become fathers later in life and find themselves battling preschool principals, millennial CEOs and anything created after 1987.

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A bull rider who falls out of love with the sport must choose between his family’s legacy of rodeo and his own aspirations of life.

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At Mount Holliston, snowboarders Dan Walker, his girlfriend Parker O’Neil and his best friend Joe Lynch don’t have enough money to buy lift tickets. Parker bribes Jason, a lift-worker, with one hundred dollars. When the system is nearing closure, they force Jason to let them have one last pass. However, Jason needs to resolve a problem and his colleague misunderstands his instructions and stops the lift. The trio of skier and snowboarders gets stranded on the chairlift near the top of the mountain. When they see that the lights of the ski resort had been turned off, they need to make a choice: leave the chairlift or freeze to death.

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Follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano.

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Wendy Ohata has just made three startling realizations: One, she has a twin brother named Vincent. Two, she’s a kami-jin – a descendent of an ancient Japanese people who can turn paper into deadly weapons. And three, there’s a kami-jin warrior named Sadako hunting her down for reasons she doesn’t understand.

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In Victorian London, England, a little mouse girl’s toymaker father is abducted by a peglegged bat. She enlists the aid of Basil of Baker Street, the rodent world’s answer to Sherlock Holmes. The case expands as Basil uncovers the crime’s link to a plot against the Crown itself.

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A group of teenagers who take after their parents and join the stalker club during all this drama a mysterious person in a mask is coming after all of them.

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In 2050, artificial intelligence is everywhere. So much so that humanity relies on it to satisfy its every need and every desire even the most secret and wicked. In a quiet residential area, four domestic robots suddenly decide to take their masters hostage in their own home. Locked together, a not-quite-so-blended family, an intrusive neighbour and her enterprising sex-robot are now forced to put up with each other in an increasingly hysterical atmosphere. While, outside, the Yonyx, the latest generation of androids, are trying to take over. As the threat draws closer, the humans look elsewhere, get jealous, and rip into each other under the bewildered eyes of their indoor robots. Maybe it’s the robots who’ve got a soul or not.

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Based upon four of writer-director Donald F. Glut’s short stories published in his book TALES OF FRANKENSTEIN: “My Creation, My Beloved” (a deformed descendant of Victor Frankenstein creates the perfect man and woman), “Crawler from the Grave” (another Frankenstein descendant’s disembodied, plague-infected arm returns from the grave for revenge), “Madhouse of Death” (a private detective winds up in an old dark house filled with loonies…and a gorilla) and “Dr. Karnstein’s Creation” (a mad doctor creates a monster in vampire-haunted Transylvania – with gruesomely unexpected results).

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Jessie begins experiencing a number of disturbing and unexplainable things after the death of his neighbor. As he investigates, it isn’t long before Jessie finds he’s been marked for possession by a malevolent demonic entity, and it’s only a matter of time before he is completely under its control.

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