Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
After his father’s death, Gilbert has to care for his mentally-disabled brother, Arnie, and his morbidly obese mother. This situation is suddenly challenged though, when love unexpectedly walks into his life.
When they were kids Texas Ranger Jack Benteen used to be best friends with drug kingpin Cash Bailey. At present, however, the only element linking them together is Jack’s girlfriend Sarita, who used to be with Cash. She returns to Cash as a voluntary hostage to make certain that Jack keeps his hands off the drug lord’s operation. On top of that, there is a meticulously planned drug bust, in which both Jack and Cash butt heads with CIA-funded paramilitary Maj. Paul Hackett, following his own agenda.
When Draculaura is led to believe she’s the rightful heir to the vampire throne, she and her best ghoulfriends are whisked away to Transylvania for a royal coronation to die for. But they soon discover the hunt for the queen is not over yet. The Ghouls must locate an ancient artifact known as the Vampire’s Heart in order to discover the identity of the true Vampire Queen. It’s a fangtastic adventure that will lead them from the Tower of Londoom, to a haunted river boat in New Goreleans and finally to the glamorous boo-vie lots of Hauntlywood. Could this be the moment when Draculara finally receives her vampire powers and discovers screams really can come true?
Chronicles the epic battle between the Decepticons and the Autobots in their mission to defend Earth and one day restore their home planet of Cybertron.
Part crime caper gone awry, part survival horror film, this 1970s set thriller depicts a harrowing fight for survival after a pair of wannabe crooks botch a bank heist and flee into the desert, where they inexplicably stumble upon Carnage Park, a remote stretch of wilderness occupied by a psychotic ex-military sniper.
Marie is a vampire with a thirst for bad guys. When she fails to properly dispose of one of her victims, a violent mob boss, she bites off more than she can chew and faces a new, immortal danger.
A movie producer who made a huge flop tries to salvage his career by revamping his film as an erotic production, where its family-friendly star takes her top off.
What you are about to see is one of the best movies ever made! Better Than American Horror Films Ever Made! What is a ghost? THE DEVIL’S BACKBONE present the actual ghost as the least frightening aspect of the film; he becomes, in fact, the moral center of a deeply complex story.
During the Spanish Civil War, newly orphaned Carlos is taken to a school for the children of those who died fighting against fascism. He is given the bed that formerly belonged to Santi, a boy who died during a recent attack in which a bomb dropped, landing in the school’s courtyard undetonated–a constant reminder of impending danger. As the amputee headmistress and the embittered caretaker Jacinto engage in a love affair, the headmistress’ cuckolded lover–the impotent but benevolent school doctor sits by passively. After Santi’s ghost repeatedly reveals itself to Carlos, another student spooks him with a dark secret about the boy’s death. War surrounds the school, violence infests it from within, and Carlos sets out to avenge the death of Santi.
In this intense classical thriller, from an original screenplay by Oscar-winning writer William Monahan (The Departed), a violent artist, Thomas, (Garrett Hedlund) has an ominous encounter in the desert with a homicidal, chameleon-like drifter, Jack, (Oscar Isaac). Jack follows Thomas back to his privileged L.A. home life, holding a dark secret over his head as he attempts to infiltrate and destroy his seemingly-perfect life. Thomas must come to terms with his own insecurities and self-doubt to protect himself and his family, and go head-to-head with his nemesis in a riveting two-man clash that plays out in exciting and unexpected ways.
The most viscerally frightening and disturbing homicidal maniac picture since The Silence of the Lambs, Seven is based on an idea that’s both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fincher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or molding. The air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer, all the while unaware that he has been closing in on them, as well.
Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
