A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana’s infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.

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A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that’s stalking them.

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It’s 1982, and the Dicksons (Jim, Jeanne, and Aurelie) move (are the new-comers) to a southern town where all the girls long for Farrah Fawcett-type curls (to match their back-woods accents/ and love to talk hair./ and obsess over their hair.) Pre-teen AURELIE begs her parents for a permanent, (known outside the south as a perm) hoping for life-changing curly waves but when they take her to a Beauty School instead of a salon to save money, disaster ensues. A bored Student-Beautician accidentally sets the timer for too long, and the perm ends up destroying Aurelie’s already low-grade social life as well as her hair follicles. Aurelie is left as a gawky yet endearing young teenager trying to navigate junior high with what some kids call an afro, then throw things at her, from epithets to dodgeballs.

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After a plague of the undead decimates human life on earth, a former hit man (Mark Dacascos, JOHN WICK 3), his wife (Julie Condra, “Eerie, Indiana”), and daughter, Bree (Noelani Dacascos, OH LUCY!), live quietly in a survivalist compound. But when their base is attacked, a massive explosion summons a swarm of the undead. They escape and must seek out the Haven, a rumored sanctuary up north, while the father teaches his daughter to shoot, drive, and survive before time runs out.

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At Fort Apache, an honorable and veteran war captain finds conflict when his regime is placed under the command of a young, glory hungry lieutenant colonel with no respect for the local Indian tribe.

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Full of wry wit, Chronically Metropolitan, is a cynical family drama about a young writer, Fenton, who is forced home to help the family cope when his larger than life father, Christopher, gets into a car accident with a truck full of crabs.

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Limbo is a wry and poignant observation of the refugee experience, set on a fictional remote Scottish island where a group of new arrivals await the results of their asylum claims. It centers on Omar (Amir El-Masry), a young Syrian musician who is burdened by his grandfather’s oud, the king of Arabic music instruments, which he has carried all the way from his homeland.

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When Oscar is fired, and her boyfriend walks out (taking the cat), she heads to a remote cabin in the woods outside a ghost town called TARNATION. Here she plans to reflect on her life choices. Unfortunately for Oscar the woods are home to a DEMON UNICORN, whose satanic master seeks Oscar’s blood to complete a ritual that will raise SATAN HIMSELF from Hell. Oscar is thrown into a battle with a demonic force that can possess anyone, and anything, living in the woods. Oscar must fight for her life, and ultimately face the evil in her own soul, to stop TARNATION falling upon the world.

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The thirty-eight year-old ambitious and workaholic editor of the fashion magazine Rebelle Alice Lantins returns from Brazil to Paris and loses her flash memory in the airplane. However, the student of architecture Balthazar Apfel finds it and calls Alice to tell her. She schedules a meeting in the bar where Balthazar is drinking with his friends but he tells her that the device is at home. He offers a ride in his scooter to Alice and while he is putting the spare helmet on her, two coworkers of Alice see from an angle that make them believe that Balthazar is kissing Alice. They take a photo and posts it in the Twitter. On the next morning, everybody is laughing at Alice but the chief editor and her boss Vincent Khan loves the idea that Alice is dating someone twenty years younger. Alice decides to impersonate that she is in love with Balthazar to get a promotion in the magazine. But soon she learns that she should not trifle with love.

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After deadly terrorists abduct his niece at a soccer match, an ex-soldier with lethal fighting skills wages a one-man war to save her and prevent mass destruction.

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After suffering a brain injury from a bank heist gone wrong, MacDonald (Matthew Modine) develops amnesia and is put into a prison psychiatric ward. Following his seventh year in evaluation, he is coerced by an inmate and a ward doctor (Ryan Guzman and Meadow Williams) to break out of prison and injected with a serum that forces him to relive the life he’s forgotten. MacDonald must now elude a local detective (Sylvester Stallone), a toughened FBI agent (Christopher McDonald) and the drug’s dangerous side effects in order to recover the stolen money all while confronting his past.

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A lean, dark bastard of a movie, SPL a stunning return to Hong Kong noir! When he called SPL the pinnacle of his martial arts choreography. It rocks. HARD. Not only are the fights are brutal, fast, and complex, but Donnie may have achieved the impossible: He made Brazillian ju-jitsu look exciting on film.

Chan, an articulate senior detective nearing the end of his career, is taking care of the daughter of a witness killed by ruthless crime lord Po. Martial arts expert Ma is set to take over as head of the crime unit, replacing Chan who wants an early retirement.

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