In the year 2042, a man working for a group of killers called “Loopers” (they work for the mob and kill people who are sent blindfolded back in time from the year 2072 by their bosses) recognizes a victim as himself. He hesitates resulting in the escape of his older self.
A rare family night takes a brutal twist when a workoholic father awakens in a basement with 3 other prisoners. As their vengeful captor runs riot, the father engages in a twisted battle to solve the puzzle to his past and save his family’s future.
Paxton and Linda, a couple at the end of their relationship who are only still living together because of lock-down orders in the U.K. The two attempt to navigate their new situations as COVID-19 spreads around the globe; Paxton is furloughed from his job, while Linda is forced to fire employees from her company as they look to cut costs. Through his boss Malcolm, Paxton “using a fake identity” accepts work transporting goods and materials from places that are closing during the lock-down. One of his stops is a department store that’s part of Linda’s corporation. Dissatisfied with their current state of life, Paxton and Linda design a plan to steal an expensive diamond from the department store so they can become rich.
Hoping to fix their dysfunctional marriage, a couple travels to an isolated mountain cabin to work out their problems – but the one problem they didn’t anticipate is the maniac trying to kill them.
TAKE DOWN focuses on the reckless sons and daughters of international billionaires, who have been sent by their frustrated parents to an exclusive, tough-love boot camp on a remote island, where they will be taught basic survival skills in the hope it will teach them to take responsibility for their lives. When they are taken hostage and held for a billion dollar ransom by a group of sophisticated kidnappers, the young captives suddenly need every ounce of their brief training to survive.
The Death of Superman and Reign of the Supermen now presented as an over two-hour unabridged and seamless animated feature. Witness the no-holds-barred battle between the Justice League and an unstoppable alien force known only as Doomsday, a battle that only Superman can finish and will forever change the face of Metropolis.
Lilly, orphaned as a child, experiences her parents homeland of England, escaping civil war. She becomes the heart of a disenfranchised community in London, where she attempts to reunite people with their families. But her friend Amira discovers Lilly’s mission isn’t purely altruistic and a passionate lost love affair is revealed between Lilly and Aziz, an idealistic doctor.
In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past finds herself stranded in the desert with a lone and ravenous zombie on her tail.
A group of friends join a guide for a trek into the Bolivian jungle, searching for an Indian village. The men soon realize that the jungle is a difficult place to be.
An action thriller based on true life events set in Europe, specifically in the heart of Albania. A film that will surely leave movie goers on the edge of their seats. Viewers will be transported to the underbelly world of narcotics, crime, deceit, infamy, and danger lurking on every corner.
Generation Kill stands in the tradition of classic war movies. Vivid storytelling, superb acting and a frank approach make this a TV landmark.
A multi-awarded series that tell of a Rolling Stone reporter, embedded with The 1st Recon Marines who chronicles his experiences during the first wave of the American-led assault on Baghdad in 2003.
“Generation Kill,” an HBO seven-part mini-series about the invasion of Iraq that begins on Sunday, is bold, uncompromising and oddly diffident. It maintains impeccable dignity even as it tracks a group of shamelessly and engagingly profane, coarse and irreverent marines, members of an elite reconnaissance battalion that spearheaded the invasion. The odyssey of these men from training tents in Kuwait to occupied Baghdad is laid out with brutal candor and without the aid of maudlin cinematography or emotive music. The closest thing to a thematic score is the starched, staticky clatter of radio traffic: “Roger that” and “This is Hit Man II, over.”
A group of five college kids are forced to match wits with unwelcoming residents when they fly to a “deserted” island for a party weekend.
