Mild-mannered timid businessman Dave Buznik works for a pet clothing company out of New York City. He’s got an abrasive boss named Mr. Frank Head who frequently takes credit for his work and steps on him in return. He’s got a loving girlfriend, Linda, whose best friend is her condescending college ex, Andrew. But when a misunderstanding aboard an airplane goes haywire, Dave is ordered by the court to undergo anger management therapy at the hands of specialist Dr. Buddy Rydell, who is an unpredictable, psychopathic character. As the relationship between Dave and Buddy becomes more tense, when the unorthodox treatment wreaks havoc Dave’s life, and Buddy might be the only one who can save him from a problem he recognizes right away in his patient, that could only get worse.

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Fourteen hundred years BCE, a tormented soul walked the earth that was neither man nor god. Hercules was the powerful son of the god king Zeus, for this he received nothing but suffering his entire life. After twelve arduous labours and the loss of his family, this dark, world-weary soul turned his back on the gods finding his only solace in bloody battle.

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Ted Swenson (Stanley Tucci) is a once-acclaimed author who teaches writing at a small liberal arts college. Though his marriage to Sherrie (Kyra Sedgwick) is comfortable, he finds himself drowning in discontent–stuffy departmental dinners at which he drinks too much, smug colleagues whom he dislikes yet fears he resembles, and an endless stream of students who are as untalented as they are unteachable. But when a new pupil, Angela Argo (Addison Timlin), showspromise Ted focuses on nurturing her career, and she appears more than willing to devote the one-on-one time required. Basking in Angela’s youth, talent, and admiration, just as she benefits from Ted’s wisdom, experience, and professional connections, it’s only a matter of time before lines are crossed and it becomes unclear whether Ted is predator or prey and Angela is victim or victimizer.

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Philip is a disabled white billionaire, who feels that life is not worth living. To help him in his day to day routine, he hires Del, an African American parolee, trying to reconnect with his estranged wife. What begins as a professional relationship develops into a friendship as Del shows his grouchy charge that life is worth living.

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When the Fat Controller sends Thomas to work at the Blue Mountain Quarry, Thomas spots an engine he has never seen before trying to hide. Determined to get to the bottom of the mystery, Thomas tracks down and befriends Luke, who tells Thomas he is hiding because he did something so bad, he could be sent away from the Island of Sodor forever. Thomas does not believe this and sets off on a journey to discover the truth behind the story of the poor runaway engine. On the way, he learns of engines brought to Sodor from faraway lands and of an accident at Brendam Docks where an engine fell into the sea. But only when he has learned every piece of the story, can Thomas convince his new friend that there is no reason to hide.

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When a crooked federal agent is involved in a human sex trafficking ring, Sniper and CIA Rookie Sniper Brandon Beckett goes rogue, teaming up with his former allies Homeland Security Agent Zero and assassin Lady Death to uncover the corrupt agent and take down the criminal organization.

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Six friends test their intelligence in a game that takes a dark turn.

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Rural Louisiana, summer of 1957, Elvis is King. At 14, Dani is coming of age. Her older sister is beautiful, smart, and off to Duke in the fall; her mom’s pregnant with number four (Dad wants a son), and Dad’s pretty strict. Life gets sweeter when 17-year-old Court Foster, his widowed mom, and two little brothers move into the vacant farm next door. Court likes Dani’s high spirits and direct way, and though he has a man’s responsibilities on the farm, they go off swimming sometimes. The waters of adolescence are deeper than Dani realizes as hers and Court’s feelings get jumbled. Then Mother Nature throws wrenching surprises at Dani, and she must come to terms with new emotions.

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A group of young people awake, locked inside a warehouse with cameras screwed into their heads. It becomes apparent that they are unwilling competitors in a deadly game, and they will need to murder each other if they hope to survive.

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A young boy becomes fascinated with the persona of his dead grandmother and is sent to an isolated boarding school for misfits run by a mysterious headmaster and his wife.

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In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?

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A young girl who goes through a difficult experience begins to see everyone’s imaginary friends who have been left behind as their real-life friends have grown up.

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