
A daughter finds a journal her dad left behind, only to discover there was another woman in his life she knew nothing about. She sets out to find this woman and the reason her father never ended up with the woman he must have loved.

A daughter finds a journal her dad left behind, only to discover there was another woman in his life she knew nothing about. She sets out to find this woman and the reason her father never ended up with the woman he must have loved.

Over the course of a decade, a young woman becomes increasingly dysfunctional due to undiagnosed mental illness, or perhaps to drugs, while her more stable friend sometimes tries to help, sometimes backs away to preserve herself.

A dangerous hitman (Neal McDonough) is tasked with hunting down a teenager who witnessed the murder of his older brother at the hands of a ruthless Southern crime lord (Michael Cudlitz). The hired gun must track down the boy before either the rival henchmen or the F.B.I. find him first. As the hours tick down, the hitman begins to question his deadly ways and must choose which side he belongs to.

A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.

After decades of neglect, Castle Heights Hospital, this symbol of the city’s segregated past has been packed with dynamite and is ready to be demolished. No one knows that a gang leader, now in prison, hid the 3 million dollars in cash he stole from his rivals inside the abandoned building. Now, three desperate parties want the money – a blue collared ex-fighter (Adkins) who finds it while working as part of the demolition crew, a prison guard (Lundgren) willing to do anything to pay for his daughter’s cancer treatment and a ruthless gang who claim to be the rightful owners. The demolition charges are set, everyone clears out and the Castle is set to fall in 90 minutes. The clock is ticking. Who will find the cash and: will they get out alive?

When romance novelist Diana (Jeni Ross) learns that Maple Creek, a charming pioneer village, is struggling to stay afloat, she uses her notoriety to help generate interest in the town by sponsoring a Christmas gala. Diana rallies her family and friends to pitch in, but she’s challenged at every turn by the village blacksmith and town historian, Carter (Jake Epstein). Sparks fly as the two must work together to save the village in time for Christmas.

Nell, Simon, and their son Art are ready to welcome friends and family for what promises to be a perfect Christmas gathering. Perfect except for one thing: everyone is going to die.

An ex-military man working at a Georgia power plant has to spring into action to prevent disaster when a group of rogue soldiers gain control of the plant and take the employees hostage.

Alan leaves behind his comfortable existence and heads north to ask whether, in this once United Kingdom, a `schasm` has formed between north and south.

A long forgotten prophecy is unearthed in the basement of city hall and when the things that were predicted to happen start to come true the people of Middleton begin to fear that this might be the year of a horrible curse that could change their lives forever. As Halloween night approaches, Cassie comes to realize that she and Sam might be the key to ending the curse and saving their town.

Yes, Dear is a comedy about two young couples and their outrageously contrasting views on parenting. First-time parents, Greg and Kim Warner struggle on a daily basis to become perfect at the job. Kim is a neurotic, stay-at-home mother, and although her husband, Greg, is a success in his career, his more difficult job is keeping his wife calm as they raise their year-old son, Sam. While Kim is determined to be the perfect mother and perfect wife and to raise the perfect son, her sister, Christine Hughes, a very down-to-earth mother of two [four-year-old Dominic and one-year-old Logan], continually reminds her that life will never be perfect. Christine’s husband, Jimmy, is employed as a security guard and unconcerned about living in Kim and Greg’s guest house and feels compelled to share with his brother-in-law his philosophy about being a husband and a parent while still remaining a man.