Barry is a drug-addled, abusive bastard who – after yet another bender – is abducted by aliens. Barry takes a backseat as an alien visitor assumes control of his body and takes it for a joyride through Cape Town. What follows is an onslaught of drugs, sex and violence as our alien tourist enters the weird and wonderful world of humankind. FRIED BARRY is based upon the short film of the same name, which earned 57 official selections and 12 wins at festivals around the world.
Heroes do not exist. David, a young policeman who has recently moved to Madrid, is forced to collaborate with Jorge Elías – an endearing freak and owner of a comic book shop – in order to solve a series of atrocious murders that recreate the secret origins of the classic superheroes. Each grotesque murder is a piece of a jigsaw puzzle that has the streets of Madrid as a backdrop, but whose complete image they are unable to distinguish. Jorge’s encyclopedic knowledge about the comic world and the unexpected discovery of David’s dark past will be fundamental in helping them solve the enigma hidden behind the awful crimes. The clues will guide them through the Spanish capital, along a labyrinth designed by a disturbed criminal mind and the only person who knows how to find the exit. Will they be able to unravel the tangled mess of clues and win the game against the troubled criminal that tries to manipulate them? They say that, sometimes, it is necessary to put on a suit and get out …
In 1892, after the Borden family welcomes a new Irish maid called Bridget Sullivan (Kristen Stewart), she and Lizzie (Chloë Sevigny) become friends. The friendship between these women becomes something more and that is not only falling in love, at the same time they’re are both victims of physical and sexual abuse from Mr. Borden. But tension in the Borden household, leading to a violent breaking point.
Jenna, Kelly and Ness have all found themselves isolated around lockdown. With little to do around the homes, and a lot of time on their hands, the girls interact with one another discussing their new sexual desires becoming unleashed with their partners via the internet. Diving into the world of BDSM, group and infidelity, will the ladies want to go further with these experimental sexual acts when they leave lockdown?
Krystal and her twin brother confront twenty-eight years of codependency when they start dating the same guy.
Set in a Chicago neighborhood nearly a decade after an occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict – the collaborators and dissidents.
It’s not exactly what the Minister of Justice wants to be doing: watching an endless stream of video footage. But a former police officer is very insistent. Together, all this footage – from hidden cameras, phone taps, Skype sessions and security surveillance – can tell an interesting story. The focus here is on an obscure bookstore where a group of environmental activists are meeting in secret. Idealistic Winnie and her boyfriend Conrad want to disrupt the G20, but aren’t aware that they are possibly being lured into a trap.
The coming-of-age story of Cayden Richards. Forced to hit the road after the murder of his parents, Cayden wanders, lost, without purpose… Until he meets a certifiable lunatic named Wild Joe, who sets him on a path to the ominous town of Lupine Ridge, to hunt down the truths of his history. But in the end, who’s really hunting whom?
Grieving the loss of a best friend she couldn’t protect, an ex-bodyguard sets out to fulfill her dear friend’s last wish: sweet revenge.
After losing their mothers at a young age, Diamond and her closest cousins, Tia and Tara, known as “Sisters”, are willing to do anything to keep their grandmother from dying of cancer and save their family.
Strangers awaken in individual holding cells with no memory of how they arrived. They realize if they don’t acquire enough online “likes” in a timely manner, they’ll die horribly at the hands of a sinister executioner.
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his radio hoax War of the Worlds, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with William Randolph Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman J. Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. The movie is about an aging newspaper publisher who controlled his enemies as ruthlessly as he controlled his friends; and whose mistress was destined for fame. When a rough cut is screened, Hearst gets wind of the movie’s theme and begins a campaign to see that it is not only never publicly screened, but destroyed.
