The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death, Queen staged one of the biggest concerts in history, to celebrate his life and challenge the prejudices around HIV/AIDS.

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A bizarre rite of passage at the local deli determines the fate of a generation of teenagers, leading some to escape their suburban town and dooming others to remain.

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Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. Milo is a railroad brakeman, his wife a painter. They have some poet friends who spend a good bit of time hanging out at their apartment. When Milo and his wife are visited by their bishop, they naturally would like their friends to be on their best behavior. But poets will be poets.

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Two strangers, Joanne (Sonja Smits) and Chris (Jonas Bonnetta) share a winter road trip through rural eastern Ontario. After losing her husband John (Colin Mochrie), Joanne faces the rituals of remote rural life on her own, while Chris is processing his failing eyesight and the loss of his mother and the new responsibility of taking over her old home in the country. As their journey together unfolds, their drifting memories reveal parallel experiences, helping each of them shift the focus of their destination.

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Opportunist and liar, Joseph Watkins, puts on a play at a theatre with a murderous past to impress, Virginia, an actor on the verge of leaving town. While evading two detectives and to the alarm of his stage manager, Joseph becomes obsessed with the spirit of the theatre and begins killing those who get in his way.

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Leon planned “The Great Allnighter” by picking college students to participate in his night long scavenger hunt. The five teams, each designated by colors white (nerds who hate green),green (meat machine who hate red), red (sorority sisters who hate green), yellow (good guys who play fair), and blue (cheaters who hate yellow) are given clues to solve, leading them to the next clue site hidden in the city. Michael J. Fox plays Scott,the younger brother,in his movie debut.

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A screw ball sex comedy following two couples and their ten rules to a happy healthy and open relationship.

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Sophie Hagan, a retired nurse, turned her home into a Transitions Shelter. The lives of a terminally ill woman, an alcoholic magician, a PTSD veteran, a young drug addict and a grieving mother are explored in the ‘Cottonwood’ residence.

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Some say Bigfoot is just a hoax but when a group of hikers go deep into the woods after being warned by a guide that has encountered a Sasquatch, they decide to ignore him and go off trail, but the deeper the go into the woods they realize that they are not alone. Becoming hysterical as night falls, the group is terrorized to their core and accidentally shoots and wounds a Sasquatch. Legend says the Bigfoot species simply want to be left alone but when provoked, they will protect their territory and in this case the damage has been done and there is no turning back.

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In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?

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When five teenagers decide to rob a supermarket, they quickly discover that their actions have consequences.

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This movie documents the Apollo missions perhaps the most definitively of any movie under two hours. Al Reinert watched all the footage shot during the missions–over 6,000,000 feet of it, and picked out the best. Instead of being a newsy, fact-filled documentary, Reinart focuses on the human aspects of the space flights. The only voices heard in the film are the voices of the astronauts and mission control. Reinart uses the astronaunts’ own words from interviews and mission footage. The score by Brian Eno underscores the strangeness, wonder, and beauty of the astronauts’ experiences which they were privileged to have for a first time “for all mankind.”

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