A woman escapes from a massacre in a motel bedroom.

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A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the “well-known unmarried half-a-millionaire,” Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder’s clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see).

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The inhabitants of a secluded mountain village in Northern Fujian are in a state of panic. On Dong Wenhui and Qian Xiuchen’s wedding day, the father of the groom was tragically swallowed by a huge python. When Dong Wenlin threw the snake corpse on the altar, the python king swore revenge…

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On a journey that spans the formative years of their lives, two sisters navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, New Mexico.

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After Wild Bill is killed in a poker game, Calamity Jane must break out of prison and seek revenge. Her quest is hindered by Deadwood’s Sheriff Mason, who is out to detain and arrest her.

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Following 1939’s “The Phantom Stage”, the last of 12 series westerns made at Universal by Trem Carr and Paul Malvern starring Bob Baker, Universal kicked off a new series of six starring their new series-sign Johnny Mack Brown (who had already starred in three Universal serials with one more to go.) Baker was now odd-man-out at the studio as his contract had been with Trem Carr, and Carr and associate Malvern had moved over to Monogram to begin a series of four “Tailspin Tommy” features. Universal, usually late to the party anyway, added Baker and comedian Fuzzy Knight to the first-six Brown films to form a trio angle along the lines of Republic’s highly successful “Three Mesquiteers” series, but there were no continuing roles in these films—they even killed Baker off in the 2nd film—and Baker’s 2nd-lead soon went to 3rd-lead (behind Knight) and then to “gone” after the sixth film. When Bob Baker was next seen in a film at Universal, it was as the uncredited bus driver in Abbott

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Friendship shared between Karin, a strong-minded girl sent to live with her monk granddad in the Japanese countryside, and Anzu, the even-more unpredictable phantom feline who acts as her guardian.

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Inspired by acclaimed Colombian author Mario Mendoza’s literary universe, comes this edge-of-your-seat suspense thriller. In a near future plagued by water shortages, Frank Molina, a gruff journalist, must face his demons to get to the bottom of a gruesome murder. The investigation drags him into the depths of a dark and mysterious city, where he learns firsthand nothing is what it seems.

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A motley group of addicts attend a rehabilitation program at an isolated farm to get sun, relax and consume the drugs and alcohol they smuggled in. Unfortunately and unbeknownst to them, the farm is infested with zombies and these aren’t your usual slow moving, lumbering zombies. These blood suckers run fast!

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The true story of eccentric British artist Louis Wain (Benedict Cumberbatch), whose playful, psychedelic pictures transformed the public’s perception of cats forever. Set in the early 1900s, we follow Wain as he seeks to unlock the “electrical” mysteries of the world and, in so doing, to better understand his own life and the profound love he shared with his wife Emily Richardson (Claire Foy).

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It’s 1959 in a seedy bar in Philadelphia, and Billie Holiday is giving one of her last performances interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music 4 months before her death.

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