Tabernacle 101 is a supernatural thriller about an atheist who sets out to disprove the afterlife. Through an extreme experiment, instead of disproving the afterlife, he opens a portal between the dimensions, nearly causing the destruction of earth. It is his duty to undo the wrong and restore peace on earth.
Emanuelle, a reporter, comes just a little too close to exposing a corrupt official, and is sent to prison on trumped-up charges. In the prison, the inmates are constantly humiliated and tortured by the prison staff. Overly affectionate prisoners are forced underwater, while others are obliged to look on. Emanuelle finds an enemy in the deranged Albina, who “runs the prison.” For the pleasure of the warden, Emanuelle and Albina are forced to fight each other with knives. Bad becomes worse when four men awaiting execution escape and take over the prison. Gore flows like water.
If you have even a passing interest in Stevie Ray Vaughan’s peerless mastery of urban blues guitar, you must own Live at Montreux 1982 & 1985. Spaced almost exactly three years apart, these concerts (60 and 93 minutes, respectively) represent the Texan blues god at his fiery best, with Double Trouble (drummer Chris Layton and bassist Tommy Shannon) laying the solid foundation upon which SRV built a Fender-driven sound as fierce as it was perfectly refined. The ’82 show was truly “success in disguise,” because despite booing from a festival audience lulled by a day of acoustic blues, and the stunned dejection that SRV felt after persevering through a uncompromising set, this was the turning point in SRV’s career, leading to post-show encounters with Jackson Browne and David Bowie, who proved instrumental in bringing Stevie’s music to an appreciative global audience.
A Japanese-Canadian woman grapples with the death of her mother as she brings her family to a retreat. When her relationship with her husband begins to affect the children’s emotional security, the family is changed forever.
Early December, New York City, and everyone is talking about something. Their lives. But, no, something more. Love. They are in the hunt for love. Why? Because they haven’t found it and because they haven’t found it, they imagine it. They make it into a myth and chase the myth instead. And that is not love. Meet Frank. Frank’s not young. Meet Reyna. Reyna is young. They become lovers, but Frank winds up back at the fragile altar of his 30-year marriage to Paula. Who’d he pick? Two Irish Construction Workers dig for the answer in the myth of Tristan and Isolde. Do we make our own choices or does Fate do it for us? And in the meantime, all we have is the Chase. The narrator, Joelle, asks-how many lives do you think you get to live-in this recurring conflict between the erotic and the domestic, between myth and mortality, between you and the one you’re still looking for.
Quentin Tarantino’s 8th film “Django Unchained” is one hell of a movie. A brutal, bloody, terrifying, hilarious and awe-inspiring western disguised as a buddy movie that is so great that if John Wayne and Sergio Leone were alive now, they would’ve approve of this movie.
Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django’s wife who is under the hands of Calvin Candie, a ruthless plantation owner.
Four couples stranded at a remote lakeside cabin on the eve of a reported alien invasion discover not everything is as it seems.
The Russo family and friends are headed to Tuscany, Italy, to meet their long lost relatives… but when Alex tries to prove she’s more than a seemingly carefree young Wizard, she inadvertently conjures a spell that creates a Good Alex and an Evil Alex. When Evil Alex gets roped into a charming young wizard’s foreboding plan to take over the world, Good Alex must find a way to save her family and humankind, which leads to a monumental battle between the two versions of herself – all atop the Tower of Pisa.
Struggling to find the correct script, music and choreography, the students find inspiration when they discover the origin and the true meaning behind Mother’s Day.
In a world of illegal, high-stakes gambling, Nick owns a run-down plantation house. He is enamored with the smart, tough and charming ace Diana’s intent to win big and is determined to stake her.
“Hatfields & McCoys” is the story of a clash of clans that evoked great passion, vengeance, courage, sacrifice, crimes and accusations, and includes a cast of characters that changed the families and the history of the region forever. The true American story of a legendary family feud – one that spanned decades and nearly launched a war between Kentucky and West Virginia.
Kevin Costner and Bill Paxton star in this all-new three-part miniseries about the legendary and deadly family feud that broke out in the backwoods of West Virginia and Kentucky after the Civil War. The clash of clans begins when a Hatfield murders a McCoy, and Randall McCoy’s daughter and Devil Anse Hatfield’s son begin a tempestuous, forbidden love affair.
3-PART MINI SERIES – COMPLETE.
Recounts a fable of a pop rock band formed a year after the Beatles took America by storm in early 1964. Jazz aficionado Guy Patterson, unhappily toiling in the family appliance store, is recruited into the band the Oneders (later renamed the Wonders) after regular drummer Chad breaks his arm. After Guy injects a four/four rock beat into lead singer Jimmy’s ballad, the song’s undeniable pop power flings the Wonders into a brief whirlwind of success, telling the tale of many American bands who attempted to grab the brass ring of rock and roll in the wake of the British Invasion.
