Photographer Robert Kincaid (Clint Eastwood) wanders into the life of housewife Francesca Johnson (Meryl Streep), for four days in the 1960s.

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Grace has recurring dreams about a handsome stranger named Michael due to a mix-up in Dream Central. When they finally meet in person, Grace is shocked to learn he has no idea who she is.

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The love of an enchanted young girl brings wonder and healing to a broken family.

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In a working-class town in 1984, a high school senior’s future creates a tug-of-war between his no-nonsense father and his crackpot guidance counselor until an encounter with a goddess helps him uncover his true destiny.
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Somewhere along the border with Mexico, two lifelong friends – prospectors – use moth eaten maps and passed down legends in a lifelong search to find a ghost ship rumored to have been buried in the desert sand over millennia as the seafloor dried up. Today, Mexican drug lords operate here, using a fleet of children in ultra light airplanes, flying in a new type of treasure – heroin – modern gold dust. These two friends must decide between pursuing their dreams of treasure, suddenly so close, and what they know is right. To save themselves, or risk their lives to save a young girl captive to the drug lord. GOLD DUST is a wild adventure of treasure and ghosts, mirages and orphans, shattered dreams and lost loves. It blends the stark deadly beauty of the desert with a villain so disarmingly dangerous he becomes terrifyingly elegant. Classical music. Thundering opera. Rattlesnakes and precious gems. Mansions and gold mines. Friendship and despair. Hope. Death. And Love. Treasure beyond …

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After an unsuccessful mission, FBI agents Kevin Copeland and Marcus Copeland fall in disgrace in the agency. They decide to swap their bad position with his superior Section Chief Elliott Gordon working undercover in an abduction case, disguised in the two spoiled white daughters of a tycoon, Brittany and Tiffany Wilson, getting in hilarious situations.

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When director Sam Ashurst sets out to make ‘Stalker,’ the follow up to his hit movie A Little More Flesh, he hires actress Harley Dee and poet Sean Mahoney for a collaborative creative process, inspired by Dogme 95. But when Sean drops out of the project, Sam decides to finish his film – by any means necessary.

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Stanley Durall, the notorious director of a series of intense erotic dramas, is returning to his debut movie, God’s Lonely Woman, to provide an audio commentary for the film’s first Blu-ray release since it was banned in the 1970s. It’s clear from his commentary that Stanley committed a series of transgressions against his lead actresses during production, transgressions which had serious consequences for everyone involved – everyone except him. But will he finally be punished for his past behaviour?

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Detective Ben Stone hit on the head and hospitalized, his injury births a new gift of telepathy which sends him down a mysterious path to help troubled individuals to find that he is dealing with a higher level threat.

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The Ninth Passenger follows a spontaneous midnight sea voyage by a group of partying college students. There are eight people aboard the luxury yacht, owned by an evil biotechnology CEO who’s the father of one of the passengers. Another on board is a mechanic who’s quickly embroiled in a trip he’d rather not take since his job entails ulterior motives. The trip goes sideways when they drift to a dark island and both their engine and radio fail. At the same time, ‘something’ sneaks onto the yacht – the ninth passenger. Some of the crew go to the island looking for help but instead find that it is home to a vicious creature. Just a few make it back to the yacht only to discover grisly havoc. In the end, two are left, and when a “rescue” boat comes, we discover that the mechanic was working for a rival company the whole time. But instead of getting paid, he and the other passenger are left for dead, drifting alone in the vast ocean until something breaks the surface heading straight for …

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American filmmaker Adam Christian Clark directs and stars in this jet-black comedy centered around the LA dating scene, as a self-obsessed filmmaker finds himself on the market once again. The film is a darkly funny and sometimes brutal affair. After ridiculing his girlfriend, director Astor Williams Stevenson finds himself single and trying to discover what exactly it is he wants. At the same time, he attempts to get a film off the ground and soon learns that his creative vision will not align with that of his crew. As Astor goes on a number of dates his abrasiveness and cynical attitude towards life seems to become ever more crystallized. The centerpiece of the film is a fearless performance from Clark as he embodies a man whose self-loathing is hidden by arrogance. Yet, for all his bluff and bluster Clark manages to add a sheen of vulnerability to make Astor a compelling and sympathetic character. While the film is reminiscent of great American cinema of the 1970’s

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High-flying tech entrepreneur Carson drinks to cope with the weight of expectation for his new company and the burden of providing for his sick father. When he wakes up in blackout with blood all over his car on the same morning a fatal hit-and- run is reported, his world spirals as he tries to build a relationship with June, the girlfriend of the victim who suspects that he might be the killer.

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