In the Bronx, Joe (Sir Billy Connolly), an Irish good guy, gets bad news twice the same day: he has a brain tumor and his wife wants a divorce, saying he’s dull and lacks adventure. With her father’s blessing, Joe takes off for adventures in the weeks before risky surgery. In Louisville, he’s latched onto by Hush (Sharon Stone), a talkative belle with two kids, big debts to a nasty bookie, and few prospects. Even after she steals his wallet, Joe offers temporary help, bonds with her kids, and faces down the bookie. Soon Hush, Joe, and the kids are on the run toward Las Vegas. The bookie’s on their tail, so are some Bronx bad guys, cancer lurks, Hush has her gambling jones, and the kids want stability. Can this work out?

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A young woman is caught in a blizzard deep in the woods of Maine. She faces extreme temperatures and is hunted by the predators of the woods. Her father attempts to find and save her from the bitter cold, and the monster that awaits them.

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A shallow and slightly clueless social media influencer takes his girlfriend out to the wilderness with the intention of live-streaming “the most epic proposal ever!” But things take an unexpected turn after she slips off the edge of a cliff in order to get that perfect shot. It takes being separated in the wild and overcoming nature’s obstacles for them both to realize they just might not meant for each other…while finding love in new, unexpected places-like an old flame turned Search and Rescue volunteer, and a capable female park ranger.

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In “Two Distant Strangers”, cartoonist Carter James’ repeated attempts to get home to his dog are thwarted by a recurring deadly encounter that forces him to re-live the same awful day over and over again. Starring Joey Bada$$, Andrew Howard and Zaria Simone.

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It’s the year 500 A.D. in deepest, darkest Denmark. A jealous, decapitating monster — the unstoppable Grendel — terrorizes the drunken revelers of mead-soaked Heorot. Fearless Princess Freawaru and her sidekick, the cynical scribe Shaper, journey in search a hero who can save their people. But it turns out true heroes are rarer than bloodthirsty monsters. And when famed imp-slayer Beowulf rides to Heorot’s rescue, her true agenda could prove more dangerous than Grendel himself.

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In 1909, Denmark’s Alabama Expedition led by Captain Ejnar Mikkelsen was attempting to disprove the United States’ claim to North Eastern Greenland, a claim that was rooted in the idea that Greenland was broken up into two different pieces of land. Leaving their crew behind with the ship, Mikkelsen sleds across the ice with his inexperienced crew member, Iver Iversen. The two men succeed in finding the proof that Greenland is one island, but returning to the ship takes longer and is much harder than expected. Battling extreme hunger, fatigue and a polar bear attack, they finally arrive to find their ship crushed in the ice and the camp abandoned.

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Multi-platinum rockers Evanescence chart their journey through the conception and creation of their new album, The Bitter Truth, amidst the worldwide COVID-19 pandemic.

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Robbie Knievel, 52 and the owner of 20 world records and 350 jumps worldwide, life is uncovered through his personal pursuit of sobriety and the need of continuing his father’s legacy by jumping once again.

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Sybil works at an undertaker’s. It’s a lonely job, with few perks. So she takes solace where she can.

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After losing her parents, aspiring painter Leah struggles to cope. When her brother moves away, he asks his best friend Axel to look after her, unaware of her longtime feelings for him.

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Pro basketball player Giannis Antetokounmpo narrates his journey reconciling himself with his roots between cross-cultural worlds.

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Expanding her (White Riot: London (2017)) short documentary film, Rubika Shah‘s energizing film charts a vital London protest movement. Rock Against Racism (RAR) was formed in 1976, prompted by ‘music’s biggest colonialist’ Eric Clapton and his support of racist MP Enoch Powell. White Riot (2019) blends fresh interviews with queasy archive footage to recreate a hostile environment of anti-immigrant hysteria and National Front marches. As neo-Nazis recruited the nation’s youth, RAR’s multicultural punk and reggae gigs provided rallying points for resistance. As founder Red Saunders explains: ‘We peeled away the Union Jack to reveal the swastika’. The campaign grew from Hoxton fanzine roots to 1978’s huge antifascist carnival in Victoria Park, featuring X-Ray Spex, Steel Pulse and of course The Clash, whose rock star charisma and gale-force conviction took RAR’s message to the masses.

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