“Michael Jackson: Chase the Truth” takes an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson’s complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.
A couple on a romantic getaway find themselves stranded at sea when a tropical storm sweeps away their villa. In order to survive, they are forced to fight the elements, while sharks circle below.
Julián Lemar, a bestselling thriller writer, goes on vacation with his family to a cabin in the woods. The first night, during a severe storm, the power goes out and a woman shows up desperately asking for help: her husband killed her son and now he’s after her. From that moment on, danger and deception are a constant threat and for Julián a hellish night begins until he discovers the truth.
In a post apocalyptic world, two women find themselves shipwrecked and alone on a deserted island. As the girls fight to survive, their shared experience bonds them together in ways they could never have imagined.
One year on from the notorious “Jack The Ripper” murders, the killings have stopped, but the identity of the killer remains a mystery. Down-at-heel newspaper reporter Sebastian Stubb has moved on to reporting on other scandals, but when a new “Ripper” letter appears on his desk and the killings start again, he unwittingly finds himself at the center of a new mystery. Has the “Ripper” returned, or is it a copycat killer? Or something else entirely?
The directive was simple: Using an iPhone and whatever’s easily at your disposal, shoot a short film dealing with quarantine life in 2020. It’s not as if there wasn’t a surplus of storytelling angles, themes and emotions available, considering how much everyone’s lives changed last year due to the COVID-19 pandemic. The results in the ambitious yet humbly executed With/In run the gamut tonally and narratively, with all of the shorts thriving on a uniform sense of raw, indie-centric looseness. Through that DIY authenticity, the universality of 2020’s sporadic peaks and constant valleys is laid bare, whether it’s topical subjects like Black Lives Matter, playful examinations of technological dependencies and obsessive at-home hobbies or the complexities of love and romance in isolation.
A dissatisfied 20-something seeks life and relationship advice from a retirement-home playboy played by Lee Majors, with mixed results.
A man must survive a prison where hardened criminals battle to the death for the wardens’ entertainment.
Tonna and Emelia are happy and in love until Emelia’s friends convince her to leave Tonna because he is deformed.
Abel (Daniel Grao) is a politician dedicated to the struggle for the most disadvantaged and Nora (Natalia Molina), his wife, is the unconditional support for him and who keeps an important secret that can transform everything. His quiet life in a secluded Andalusian farmhouse will change when Victor, an ousted high official, appears. Virginia and Felix will be the final surprise, two old friends of a time that they preferred to leave behind. Together they will have to face adversity and find out how far they are willing to go to stay together.
Jack (John Reynolds) and Su (Sunita Mani) are a hip Brooklyn couple who, like many of their friends, find themselves dependent on technology and unable to put down their phones. Fearing their mindless scrolling may impact their connection with each other, they seize the chance to head to an isolated cabin in the woods, vowing to unplug from the outside world for a week. Sheltered from texts and push notifications, they are blissfully unaware that the planet is under attack. As strange events unfold, the couple must figure out a way back to civilization-or what’s left of it.
A sheriff and deputy probe a crime at an abandoned farmhouse in West Virginia’s coal country. Their investigation uncovers dark secrets that endanger both the town and the sheriff’s grip on reality.
