Dennis Gansel, responsible for the hit The Wave, explores night time in Berlin to find a sect of seductive lady vampires that hide out in the city’s alternative clubs and enjoy the luxury and pleasures their attained immortality provides them. A stylized vision of female vampirism, closer to films like The Hunger or the TV series True Blood than to Twilight, We Are the Night differs from other films present this year in Sitges because it gives the myth an image of sensuality, charisma and attraction, playing especially on fascination for the night. A fascination that Gansel uses almost paroxysmally to exploit the German capital’s nighttime atmospheres.

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